Monuments Men: Fact and Fiction

When I first heard that Robert Edsel's Monuments Men was being made into a feature film, I was excited. The stories he captured about Allied efforts to save art, historic buildings, libraries, and archives in the wake of WWII are harrowing, remarkable, and inspiring, and make for perfect movie fodder. Plus, who doesn't like a feel-good museum story? The A-list casting made me skeptical (and George Clooney directing? Really?), but an extended preview featuring interviews with the cast about their passion for sharing the stories of the American Monuments, Fine Arts, and Archives (MFAA) division and art preservation had me reassured (I'm also generally a sucker for Matt Damon films). But ultimately, the film disappointed me.

It fell short in so many of the ways films fail when they dramatize historical vignettes. With the exception of Jean Dujardin and Cate Blanchett, no members of the main cast were believable as art experts. The way in which the film played-up the team as 'mistfit soldiers' didn't allow the characters' individual stories as artists to breathe. I did enjoy Dmitri Leonidas' portrayal of Sam Epstein (Harry Ettlinger in real life), who had a soft, but striking personal narrative as a Jewish-American immigrant. But mostly, it felt as if I was seeing a caricature of the MFAA, rather than earnest stories. 

I was especially disappointed and irritated by the film's portrayal of Rose Valland (Claire Simon in the film-more French-sounding for American audiences, I guess?), who was arguably the most important figure in the preservation and recovery of French art during the war. This unassuming but sharp museum overseer remains one of the most decorated women in French history for her work in the Jeu de Paume during the war. First, the film deprives her of her credit by renaming her character (many of the men in the film kept their real names), and then creates a completely fictional, awkward, and gratuitous sexual tension between her and James Granger (played by Matt Damon). Instead of the intelligent, meticulous, and driven museum patriot she was, these moments in the film make her seem much more like a pathetic old maid who is desperate for male attention. A real missed opportunity to highlight a true heroine of WWII. You can read more about Rose Valland and other women of the Monuments Men here.

January Culture Roundup: Iconography & Shakespeare

Here in the Nation's capital we're lucky to have such a plethora of arts & culture locally. While it can be argued that DC isn't exactly the foremost location for theatre and music, the museums and traveling gems we have are wonderful-with regularity. The icons exhibit currently hosted at the National Gallery of Art is a prime example. It also features books, jewelry, mosaics, ceramics, and manuscripts, most never before on loan to the US. It's only in town through March 2-get there if you can. Then it heads to LA for a few months before returning to Europe. Read more about the exhibit here.

Icon by Andreas Ritzos, from the Byzantine & Christian Museum in Athens. One of my favorites after recently visiting the exhibit.

An additional bonus, which I wasn't expecting, is The Dying Gaul from The Capitoline Museum in Rome, which is also in display in the National Gallery rotunda through early March. 

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Recently I've found myself 'rediscovering' much of Shakespeare. I always enjoyed the plays in school, but they just get richer with age. We're lucky to live in a time that is producing some absolutely marvelous new adaptations for stage and screen, that are more accessible to the public than ever. First it was Hamlet and Macbeth from PBS, starring David Tennant and Patrick Stewart. One of the best things to come out of 2012 was The Hollow Crown, a stunning film production of the four history plays that form Shakespeare's second tetralogy- Richard II, Henry IV (2 parts), and Henry V. Since I was exposed almost exclusively to the tragedies and comedies on school, this introduction to the histories was a real treat for me. The acting is just brilliant, featuring recognizable faces like Tom Hiddleston, Jeremy Irons, David Suchet, Patrick Stewart, Ben Whishaw, and Downton Abbey's Michelle Dockery (though it is a shame that her character seems mainly to exist for the purpose of making out with Hotspur). The whole tetralogy makes for a bit of a long haul (8+ hours for all four plays), but you won't be looking at your watch at all. Watch a preview below (more video from the BCC here).

                        

PBS has also produced a nice little series that showcases the actors' experiences preparing for Shakespearian roles, which aired last year. Watch Shakespeare Uncovered here.

And, as if Tom Hiddleston in The Hollow Crown weren't enough, he's also starring in the National Theater production of Coriolanus, which is going to be broadcast live in movie theaters around the world on January 30, with encores to follow in the weeks afterword. I am beside myself in excitement for this. Go here to find a screening near you!

Latvians Form Human Book Chain to Transfer Books to New Library

Over the weekend in Riga, Latvia, over 15,000 people gathered to form a human chain stretching more than a mile across the Daugava River to transfer books from the current national library to the new building set to open in August.  The event was reminiscent of 1989 Baltic Way, when 2 million people formed a human chain across Estonia, Latvia, and Lithuania.

And it looks like they all had a good time doing it too.

Link: National Library of Latvia