'A Pound of Flesh, Or An Eye for An Eye': At the Crossroads of Empathy and Forgiveness

Hard times in the Chateu D'If

As I go through the routines of my dad-to-day, it's hard not to notice that so much of the world seems constantly in the throes of 'getting what is owed to them.' Hardly a day goes by without something I read or real events pressing onward with the seemingly universal desire revenge or some kind of material justice. This most recently struck at me deeply several months ago, while the violence was escalating in Syria, particularly the church bombings, and news broke that a serious wave of new sexual abuse allegations was being leveled at my home archdiocese. One of those intersections of daily events that make me acutely aware of our human fragility, pain, and division.

Societal reaction to the priestly abuse scandals is emblematic of the strange concept of justice that we've come to expect in our modern world. Many allegations have be made over the past decade with financially and legally exploitative motivations, some of them truthful. But in most cases we hear over and over again how victims want not only emotional and spiritual healing, but also financial restitution. The mystery of how we expect large sums of money to heal such rifts is a topic for another post, another day, but it's certainly not reserved for clergy sexual abuse. Divorce? My ex has to pay. College degree didn't get me a job? My school has to pay. Short-changed childhood experience? Parents have to pay. Bakery won't make a cake for my wedding? The owners have to pay. The litigiousness is astonishing, especially here in the U.S., where "fighting for what you deserve" seems to reach new levels of ridiculousness every day.

It's even more ridiculous given that 'tolerance' has become the new global mantra. Here's the world, beating it into us that 'live and let live' is the only noble way to engage with society and build peace, while simultaneously demanding an eye-for-an-eye at the turn of every petty (and not-so-petty) disappointment. Strangely Old Testament for a world that seeks to free us from ancient oppressive moral codes.

As I read and thought over the past several months, I have chewed on this topic often. Why are we always at odds with each other? Why are we never satisfied? The human urge for revenge is certainly not reserved to the modern world-some of the greatest stories ever written have revenge at their very core (Hamlet, Coriolanus, and The Count of Monte Cristo among them). But the modern kind seems to be particularly insatiable. The strange realities of our world's sense of 'practical justice' seems to dovetail with something else often present in my intellectual cud-our similarly distorted understanding of forgiveness.

January Culture Roundup: Iconography & Shakespeare

Here in the Nation's capital we're lucky to have such a plethora of arts & culture locally. While it can be argued that DC isn't exactly the foremost location for theatre and music, the museums and traveling gems we have are wonderful-with regularity. The icons exhibit currently hosted at the National Gallery of Art is a prime example. It also features books, jewelry, mosaics, ceramics, and manuscripts, most never before on loan to the US. It's only in town through March 2-get there if you can. Then it heads to LA for a few months before returning to Europe. Read more about the exhibit here.

Icon by Andreas Ritzos, from the Byzantine & Christian Museum in Athens. One of my favorites after recently visiting the exhibit.

An additional bonus, which I wasn't expecting, is The Dying Gaul from The Capitoline Museum in Rome, which is also in display in the National Gallery rotunda through early March. 

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Recently I've found myself 'rediscovering' much of Shakespeare. I always enjoyed the plays in school, but they just get richer with age. We're lucky to live in a time that is producing some absolutely marvelous new adaptations for stage and screen, that are more accessible to the public than ever. First it was Hamlet and Macbeth from PBS, starring David Tennant and Patrick Stewart. One of the best things to come out of 2012 was The Hollow Crown, a stunning film production of the four history plays that form Shakespeare's second tetralogy- Richard II, Henry IV (2 parts), and Henry V. Since I was exposed almost exclusively to the tragedies and comedies on school, this introduction to the histories was a real treat for me. The acting is just brilliant, featuring recognizable faces like Tom Hiddleston, Jeremy Irons, David Suchet, Patrick Stewart, Ben Whishaw, and Downton Abbey's Michelle Dockery (though it is a shame that her character seems mainly to exist for the purpose of making out with Hotspur). The whole tetralogy makes for a bit of a long haul (8+ hours for all four plays), but you won't be looking at your watch at all. Watch a preview below (more video from the BCC here).

                        

PBS has also produced a nice little series that showcases the actors' experiences preparing for Shakespearian roles, which aired last year. Watch Shakespeare Uncovered here.

And, as if Tom Hiddleston in The Hollow Crown weren't enough, he's also starring in the National Theater production of Coriolanus, which is going to be broadcast live in movie theaters around the world on January 30, with encores to follow in the weeks afterword. I am beside myself in excitement for this. Go here to find a screening near you!

Illuminating the Iliad

Soon I'll be sharing some reflections on the job search in librarianship and professional education, but it is now a busy week of catch-up after Easter. I ran across this today and thought it was worth sharing. The trailer is for a film detailing the digitization of one of the earliest extant manuscripts of Homer's Iliad. I'll have the opportunity to view it in its entirety in a few weeks, and I'm looking forward to it.

More about the project can be found here: http://www.vis.uky.edu/iliad.php